A Shropshire Lad and Other Poems: The Collected Poems of by A. E. Housman

By A. E. Housman

A. E. Housman used to be one of many best-loved poets of his day, whose poems conjure up a powerful and idyllic rural international imbued with a poignant feel of loss. they're expressed in uncomplicated rhythms, but convey an excellent ear for the subtleties of metre and alliteration. His scope is broad -- starting from non secular doubt to excessive nostalgia for the nation-state. This quantity brings jointly 'A Shropshire Lad' (1896) and 'Last Poems' (1922), besides the posthumous choices 'More Poems' and 'Additional Poems', and 3 translations of extracts from Aeschylus, Sophocles and Euripides that reveal his mastery of Classical literature.

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In this same letter, he credits Marsh with having pulled him into modern poetry: However, I am still in my ‘teens & when this ridiculous war is over, I will write Chapter II at the top of the new sheet & with the help of other young Georgians to whom I trust you will introduce me, I will try to cut out more effectively the obnoxious survivals of Victorianism. (bcnypl) With our hindsight, and his own less than five years after he wrote this letter, he does not seem to have been pulled very far by Edward Marsh.

As he wrote to Sassoon, he was unconcerned with any scandal and pleased with the arrangement: She [Nancy] has longed for this privacy for years to start her drawing again and regain some sort of independent completeness, & now there’s a nurse for the children & Laura to look after me, it is too good a chance to miss. But I see you shaking your head! Sighing! (bcnypl) The story is a complex one of passion and jealousy, of danger and violence, that did not directly become part of Graves’s poetry.

After a week of rain and death, of the ‘‘roars and whirrs and rattles’’ of battle, there was a respite into the unreality of a peaceful farmland of horses, crops and babies (22). Recognizing the very modest poetic value of ‘‘Limbo,’’ Graves did not reprint it. But the poem does indicate the nature of his talent. He was not one of those made a poet by war, which he observed was true for many. I remember reading poems by a friend when he was fighting in Vietnam; now a general officer, he is no longer a poet.

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